Stephen P. Huyler is an art historian, cultural anthropologist, photographer and author conducting a lifelong survey of the India’s sacred art and crafts and their meanings within rural societies. He has spent an average of four months each year during the last five decades traveling in Indian villages documenting craftsmanship and contemporary traditions.

Huyler has served as a consultant and/or guest curator for more than twenty-five museum exhibitions of Indian art, including shows at the Smithsonian’s Arthur M. Sackler Gallery, the American Museum of Natural History, the Museum of International Folk Art (Santa Fe), the Santa Barbara Museum of Art, the Houston Museum of Natural Science and Mingei International Museum (San Diego).

He is acknowledged as one of the leading documentary photographers of India and his image archive is recognized as one of the most extensive and valuable in existence. He has had many solo exhibitions of his images at such venues as the Smithsonian, the Asian Art Museum (San Francisco), the Santa Barbara Museum of Art, and the Kodak Center for Creative Imaging.

A prolific author, he has published six books: Village India Abrams (1984), Painted Prayers: Women’s Art in Village India Rizzoli (1994), Gifts of Earth: Terracottas and Clay Sculptures of India Mapin (1996) and Meeting God: Elements of Hindu Devotion Yale University Press, (1999). Daughters of India: Art and Identity Abbeville (2008), and Sonabai: Another Way of Seeing Mapin (2009).

Dr. Huyler lives in Camden, Maine, although he spends several months each winter in India and during the rest of the year frequently travels to lecture in universities and museums in the U.S. and the U.K.




With compelling story, wit, insight and candor, American author Stephen Huyler leads the reader into the heart of India. It is a country and culture he knows and loves well. Beginning with his arrival on his twentieth birthday, he spins tales of a young man’s fascination that grows and seasons into a rare relationship that has lasted half a century. Few foreigners have traveled as extensively in India as he. Huyler has learned to feel the pulse of the people. His innate adaptability has engendered an ability to be truly quiet, observing, accepting, and accepted by a remarkable range of individuals from maharajah to musician, Brahman to Dalit, and politician to potter. His memoirs are an evocation of an India rarely seen by outsiders: portraits of people, places and customs. The book combines humor with pathos, delight with dismay, sacred with secular, and tranquility with suspense. His personal narrative flows and unfolds seamlessly through a life transformed by India.